{
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  "formats": "Every page has two versions with the same data: JSON (the page address + .json) and markdown (the page address + .md). Append .json or .md to any `url` in this document.",
  "title": "Gorillaz' Plastic Beach",
  "subtitle": null,
  "slug": "gorillaz-plastic-beach",
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  "authors": [
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      "name": "Ihor Junyk",
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  "original_title": null,
  "original_language": null,
  "first_published": "2027-02-04",
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      "heading": "The Arts"
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    {
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      "heading": "Design, Industrial and commercial arts, illustration"
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      "heading": "Architecture"
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      "heading": "Music"
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  "description": "Gorillaz were, from the very beginning, as much conceptual art as they were a musical group. A collaboration between Albarn and visual artist Jamie Hewlett, the project was conceived as a “virtual band” that could comment on the empty and manufactured nature of popular culture. They quickly expanded into videos, books, and games which detailed a complex and surreal mythology and engaged with a variety of social and political issues. But Plastic Beach took this to a new level. Damon Albarn's encounter with plastic pollution at Hallsands Beach inspired the album's meditations on the Anthropocene – an epoch marked by significant human impact on Earth's geology and ecosystems. The book positions Plastic Beach as a concept album that reflects on the Anthropocene, combining commentary on environmental degradation and consumer culture with attempts to imagine a future beyond the rapacity and destructiveness of this era.",
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    {
      "title": "Gorillaz' Plastic Beach",
      "subtitle": null,
      "url": "https://www.bookquiver.com/ihor-junyk/gorillaz-plastic-beach/9798765132852",
      "publisher": "Bloomsbury",
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      "translators": [],
      "medium": "paper",
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      "isbn": "979-87-6513-285-2",
      "pages": 152,
      "published": "2027-02-04",
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  "chapters": []
}
